1868-1940 French Edouard Vuillard Galleries Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard. In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training.  Related Paintings of Edouard Vuillard :. | sangliggande | Table | Naked women and white mat | Man portrait | Talk |
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Ion Andreescu
n. 15 februarie 1850, Bucuresti . 22 octombrie 1882, Bucuresti He was born in Bucharest into a merchant family. In 1869 he entered Theodor Aman Fine Arts School. By 1872 he was an instructor of drawing and calligraphy at the Bishop School in Buzau. In 1873 he left the Bishop School for the Tudor Vladimirescu Communal Secondary School, also in Buzau. Then, in 1875 he left the Communal Secondary School for Buzau Craftsmanship School. Influenced by Nicolae Grigorescu, he left Romania for Paris to further his education. In Paris, he began painting at Barbizon. His work was exhibited with the works of better known painters such as Manet, Monet and Renoir. In 1881 he returned to Romania, ill with tuberculosis. His death followed shortly in 1882.
Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
Charles Schreiber
French 1843-1903